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Up close and personal
NICK BERRY
Copywriter
How long have you been writing for?
Professionally, about nine years; but I did unpaid stuff long before that, including a couple of hundred variously awful poems back in the early ’80s. Some of them got published in a deservedly forgotten poetry journal with a circulation of about four. I bought three of them.
What made you want to be a copywriter?
Arithmetic. I added up the things I loved doing and took away the things I hated. Writing’s always come easy to me, whereas wearing suits has always been a struggle, involving unpleasant personality shifts. So I needed a job that paid me for writing while actively encouraging casual dress. Which led to a new series of challenges. Try walking into Gap when you’re the wrong side of 40, pushing 16 stone and grey at the temples. Then try walking out again like you really thought you’d gone into Boots.
What was your first full-time employment?
Working in the warehouse of Bishop’s supermarket. I don’t think they exist any more. 70 quid a week, and I were grateful. If Ricky Gervais had been around then, he could have made a series called The Supermarket.
What is the most bizarre piece of copy you’ve had to write?
Not had to, but did. It was a corporate brochure for a City recruitment company, and I still don’t know how it ever got printed. I was working on it with a manic creative director who the client loved and would let do anything. One spread talked about Walter Raleigh inventing the potato. It’s still one of my favourite pieces and, curiously, it worked.
Any claims to fame?
As a child, I used to be able to impersonate Mike Yarwood’s* impersonations, albeit in a much higher voice.
*(previous incarnation of Rory Bremner, for our younger viewers)
What do you like to do when you’re not writing?
Apart from spending time with my wife, young son and friends (ours, not his), I enjoy singing, playing the guitar loudly, cooking, moderate amounts of decent booze and the odd crafty fag.
What do you enjoy most about writing?
The variety, and the fact that very few of the projects I work on last more than a week or so. I’ve got a terrible attention span.
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